Denver Center for the Performing Arts Assistive Listening Devices

A demonstration of the DCPA Theatre Company's improved personal closed-captioning devices.

Personal airtight-captioning devices will be available at twice equally many productions this season

Equally the DCPA Theatre Company opens its 40th anniversary flavor this month, it is expanding services for patrons who are deaf or have hearing loss.

Personal airtight-captioning devices are being fabricated available for four plays this flavour: Oklahoma!, A Christmas Carol, Anna Karenina and Sweat. That's double the number of productions from last season.

A personal airtight-captioning device is a portable manus-held tablet that is configured with closed-captioning software, enabling users to savor private captioning services in any seating location. The devices will be available at the performances listed below, and may be checked out with a photo ID at the Patron Services desk-bound in the lobby (subject area to availability):

  • Oklahoma!: Sept. xviii-Oct. xiv, 2018
  • A Christmas Carol: Dec. 4-24, 2018
  • Anna Karenina: February. 5-24, 2019
  • Sweat: May 7-26, 2019

Personal airtight-captioning devices are popular with the deaf and hearing-loss communities, and are peculiarly useful to patrons whose hearing is declining, said Theatre Services Manager Carol Krueger. "Captioning is an easy way for folks who have lost some of their hearing to remain active in the arts," Krueger said.

Personal closed-captioning devices will be available at all performances of 'Oklahoma!' starting Sept. 18. Rehearsal photo by John Moore.

Personal closed-captioning devices are just 1 way the Denver Middle services audiences who are deaf or have hearing loss. The Theatre Company makes both Braille and big-print impress programs available for all shows.  And one "0pen-captioning performance" — where alive captioning is digitally projected onto a screen near the stage — will be designated for every Broadway run, every bit well as ane Theatre Visitor functioning (Oklahoma! on Sept. 30).

The Denver Center besides makes "assistive listening devices" bachelor for all performances. Those are headsets that amplify the sound from the stage for patrons who have hearing loss. But assistive listening devices are limited in their usefulness depending on the state of the patron's hearing.

The response from audiences to the Denver Eye'due south enhanced services "has been astonishing," said Kirk Petersen, the Denver Middle'due south Acquaintance Managing director of Ticket Services. "We accept a small army of patrons who accept been very gung-ho in encouraging united states of america to move alee with these personal-captioning devices."

The commencement iteration of the personal closed-captioning organisation was a trial during the Theatre Company's 2015 product of Tribes, which featured characters and actors who are deaf or have hearing loss. From this original trial, the personal closed-captioning organisation has expanded to include fifteen devices available for patrons' usage.

More Colorado theatre coverage on the DCPA NewsCenter

The devices, Krueger added, are controlled by a alive staff person who advances the system in real fourth dimension, as opposed to using a pre-recorded version. That allows the operator to carefully time the delivery of the words exactly every bit they are spoken. "Every performance is different," Krueger said. "Things change, and there are times when the words don't always friction match up with the script. Having a live operator as well ensures that the captions don't come up besides fast and possibly spoil a punchline before it gets delivered."

Petersen said every bit services continue to expand, audiences will have the option of requesting captions in dual languages.

John Moore was named one of the 12 virtually influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position equally the Denver Center's Senior Arts Journalist.

OklahomaOklahoma! Ticket information

  • Written by: Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). Based on the play Green Grow the Lilacs by Lynn Riggs. Original Dances by Agnes de Mille
  • Dates: Through Oct. xiv (Opens Sept. 14)
  • Where: Stage Theatre, Denver Performing Arts Circuitous
  • Data: Phone call 303-893-4100 or BUY ONLINE
  • Groups: Telephone call 800-641-1222
  • Attainable functioning: 1:30 p.thou. Sept. thirty (American Sign Language, assistive devices and open captioning) BUY ONLINE

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Source: https://www.denvercenter.org/news-center/theatre-company-expanding-services-for-those-with-hearing-loss/

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